Somaesthesia

Body as subject, tool and material; objects created both of and with the body. Hair is rope, warp, and weft. The non-human materials share a close relationship to human rituals: clay forms the tubs we bathe in and the bowls we eat from; wood constructs the objects we live in, sit on, eat on; cloths are second skins; foam is the substance we sleep on. The body is the essential activating force of sculptural production: gripping foam into molded place, pressing clay slabs into the fleshy crevices and bony angles of the body, painting a glue soaked sheet onto the skin. The body is understood as a force that permeates and is permeated by materials and space.

Thesis exhibition at Pomona College Art Department.

Somaesthesia

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